#40 Bastien und Bastienne - Mozart [.mid] [view music]

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1. The texture for this piece is: pick one Homophonic Polyphonic Monophonic Heterophonic Stereophonic
2. The key is: key C a F d G e Bb g D b Eb c A f# Ab f E c# Db bb B g# Gb eb F# d# C# a# Cb ab
3. The three chords in m9 are: r.n. I I6 I64 ii ii6 ii65 ii7 iii iii7 IV IV6 IV64 V V6 V64 V7 V65 V43 V42 vi viio6 r.n. I I6 I64 ii ii6 ii65 ii7 iii iii7 IV IV6 IV64 V V6 V64 V7 V65 V43 V42 vi viio6 r.n. I I6 I64 ii ii6 ii65 ii7 iii iii7 IV IV6 IV64 V V6 V64 V7 V65 V43 V42 vi viio6
4. The three chords in m15 are: r.n. I I6 I64 ii ii6 ii65 ii7 iii iii7 IV IV6 IV64 V V6 V64 V7 V65 V43 V42 vi viio6 r.n. I I6 I64 ii ii6 ii65 ii7 iii iii7 IV IV6 IV64 V V6 V64 V7 V65 V43 V42 vi viio6 r.n. I I6 I64 ii ii6 ii65 ii7 iii iii7 IV IV6 IV64 V V6 V64 V7 V65 V43 V42 vi viio6
5. What type of cadence is there in m15-16: pick one PAC IAC Half Plagal Deceptive

#42 Sonata in D major - Haydn [.mid] [view music]
(thanks to Sara Davenport for creating the Finale file for us!)

1. The texture for this piece is: pick one Homophonic Polyphonic Monophonic Heterophonic Stereophonic
2. The key is: key C a F d G e Bb g D b Eb c A f# Ab f E c# Db bb B g# Gb eb F# d# C# a# Cb ab
3. Haydn uses what type of non-chord tone to embellish his bass line? n.c.t. PT NT ANT ET FN APP SUS
4. The chord in m5 is: r.n. I I6 I64 ii ii6 ii65 ii7 iii iii7 IV IV6 IV64 V V6 V64 V7 V65 V43 V42 vi viio6
5. The first beat and a half of m7 imply what 6/4 chord? r.n. I I6 I64 ii ii6 ii65 ii7 iii iii7 IV IV6 IV64 V V6 V64 V7 V65 V43 V42 vi viio6
6. What type of 6/4 chord is it? pick one cad-ton passing pedal arpeggiated appoggiatura
7. What is the phrase structure of this excerpt? pick one Parallel period Contrasting period 1 phrase 2 phrases 3 phrase period Double period