| DAVID
BROMLEY TRAINING |
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TRAINING
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ON
CAMERA
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| Dangerous Curves Prods. | Cold Reading I - III | Aaron Jackson | |||||
| Mark McKinnon Studio | Pilot Season Prep | Erica A. Hart; Mark McKinnon; Jonathan Watkins | |||||
| Cheryl Felicia Rhoads Acting School | Character Development I - IV | Cheryl Felicia Rhoads | |||||
|
Arvold Casting |
The Actor's Persona |
Erica Arvold, Richard Warner, Jen Ingulli |
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| Wright Model and Talent | Audition Techniques | Scott Cooper | |||||
| Sylvia Hutson Agency | Cold Reading | Mike Lemon | |||||
| Cold Reading | Paul Weber | ||||||
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Cold Reading |
Tom Logan |
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| John Palotta Studios | On Camera Interviewing | Lucy Norris | |||||
| Uptown Talent | Acting for the Camera I & II | Liz Marks | |||||
| Acting for the Camera I - IV | Billy Caldwell | ||||||
| STAGE | |||||||
| Quill Theatre | Auditioning for Shakespeare | Jan Powell | |||||
| Janet Rodgers Workshops | Working with Archetypes I - V | Christine Morris; Martha Curtis; Sheila Gordon; | |||||
| Amy Mihyang Ginther; Patricia Tedford | |||||||
| Richmond Shakespeare Co. | Auditioning for Shakespeare | Daryl Clark Phillips | |||||
| Playing Multiple Characters | Jill Bari Steinberg | ||||||
| Acting Techniques | Josh Chenard | ||||||
| Coalition Theatre | Intro to Improv | Alex Beall | |||||
| STAGE COMBAT | |||||||
| Henley Street Theatre | Stage Combat I | Drew Vidal | |||||
| Virginia Theatre Association | Intro to Unarmed Stage Combat | Charles Wax | |||||
| Virginia Stage Combat School | Rapier I - III | Aaron Orensky, Emily Turner | |||||
| Longsword I | Aaron Orensky | ||||||
| WEAPONS / HORSEBACK | |||||||
|
Henricus Militia |
Matchlock Musket I & II |
Paul Carter |
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| Thrive Equestrian | Equestrian for Actors I & II | Al Underwood | |||||
| VOICE OVER | |||||||
| Such A Voice | Voice Over I | Dan Levine | |||||
| VOICE | |||||||
|
VCU Community
School of Music
|
Voice
|
Sharon Munz | |||||
