How Color Determines the Image as Much as Form by Kar Fedosh
A negative of the initial image lends to perception of a nighttime, rather than a daytime, scene.
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The first in a series of daytime
scenes,
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By simply changing the color
of the foreground,
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This time, a change in all
the terrain provides a view of a desert,
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By darkening the desert picture
as a whole, we come up with a nighttime scene.
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Sticking to dark colors for
a nighttime effect, we can go back to the lake.
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Soften the colors further on the lake scene to obtain a pastel version of dawn or dusk.
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The above picture is only black and white. By simply changing/stressing one object in the picture with a color, the overall effect is softened. |
So we return back to where
it all started from.
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What do you see? |