DAVID
BROMLEY TRAINING |
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TRAINING
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ON
CAMERA
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Dangerous Curves Prods. | Cold Reading I - III | Aaron Jackson | |||||
Mark McKinnon Studio | Pilot Season Prep | Erica A. Hart; Mark McKinnon; Jonathan Watkins | |||||
Cheryl Felicia Rhoads Acting School | Character Development I - IV | Cheryl Felicia Rhoads | |||||
Arvold Casting |
The Actor's Persona |
Erica Arvold, Richard Warner, Jen Ingulli |
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Wright Model and Talent | Audition Techniques | Scott Cooper | |||||
Sylvia Hutson Agency | Cold Reading | Mike Lemon | |||||
Cold Reading | Paul Weber | ||||||
Cold Reading |
Tom Logan |
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John Palotta Studios | On Camera Interviewing | Lucy Norris | |||||
Uptown Talent | Acting for the Camera I & II | Liz Marks | |||||
Acting for the Camera I - IV | Billy Caldwell | ||||||
STAGE | |||||||
Quill Theatre | Auditioning for Shakespeare | Jan Powell | |||||
Janet Rodgers Workshops | Working with Archetypes I - V | Christine Morris; Martha Curtis; Sheila Gordon; | |||||
Amy Mihyang Ginther; Patricia Tedford | |||||||
Richmond Shakespeare Co. | Auditioning for Shakespeare | Daryl Clark Phillips | |||||
Playing Multiple Characters | Jill Bari Steinberg | ||||||
Acting Techniques | Josh Chenard | ||||||
Coalition Theatre | Intro to Improv | Alex Beall | |||||
STAGE COMBAT | |||||||
Henley Street Theatre | Stage Combat I | Drew Vidal | |||||
Virginia Theatre Association | Intro to Unarmed Stage Combat | Charles Wax | |||||
Virginia Stage Combat School | Rapier I - III | Aaron Orensky, Emily Turner | |||||
Longsword I | Aaron Orensky | ||||||
WEAPONS / HORSEBACK | |||||||
Henricus Militia |
Matchlock Musket I & II |
Paul Carter |
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Thrive Equestrian | Equestrian for Actors I & II | Al Underwood | |||||
VOICE OVER | |||||||
Such A Voice | Voice Over I | Dan Levine | |||||
VOICE | |||||||
VCU Community
School of Music
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Voice
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Sharon Munz | |||||